Sentai/ADV licenses CLANNAD: After Story, Ghost Hound, and He is my Master

According to new product pre-orders on RightStuf, it’s been revealed that Sentai Filmworks (whose distributor is ADV Films) has licensed the second half of the CLANNAD series, CLANNAD: After Story, as well as the anime series Ghost Hound and He is my Master.

CLANNAD: After Story is the 24 episode + 1 OVA second season to the CLANNAD series, which aired between October 2008 and March 2009.  Ghost Hound is a 22 episode series which aired between October 2007 and April 2008.  He is my Master is a 12 episode series that aired between April and June 2005.

The first parts of CLANNAD: After Story and Ghost Hound are being released October 20th while the He is my Master complete series is being released October 6th.  All three releases, as with past Sentai licenses, will be subtitle-only.


It looks like Ghost Hound might have been revealed earlier this morning on Sentai Filmwork’s presumably soon to be launched (and long overdue) website, but they have since password protected it.

Update 2

I guess I should give some of the credit of this to the fact that RightStuf tweeted this and Scott Frye noticed that they were new.

Update 3

ANN notes that Popotan and A Little Snow Fairy Sugar, which are also on the list, were previously licensed by Geneon Entertainment.

ADV will apparently be at Otakon after all

I just noticed that the Otakon panel list has been updated and now includes an ADV industry panel.

Originally ADV was not listed, making me wonder what the heck is going on (especially since they essentially promised some big announcements at Otakon).

Of course, being listed and actually having the panel are two different things, but ADV is now at least listed as having an industry panel at Otakon now.

Otakon announces tentative panel list – no ADV panel?

I had been waiting for this, and I’m kind of surprised there wasn’t an announcement on the Otakon home page, but Otakon has now released a tentative list of panels for their 2008 convention:

One notable panel not listed in the list is an ADV industry panel.  At Anime Expo, they said they hoped to be able to announce some things, including their new industry partner and possibly some new licenses at Otakon.  Well, that’s hard to do if you don’t even have a panel.  Of course, as I said, this is a tentative list, so they might be added later, but the lack of a panel listed right off the bat can’t be a great sign.

Other industry panels I’ll try to hit include the Bandai panel, the Bandai Surprise! panel (since, apparently, there will be a surprise there), the Funimation Announcements panel, the Kadokawa USA panel, since they may announce some of the production and distribution details from their Anime Expo announcements, and the Media Blasters Announcements panel.  The Fansubbing and the State of the Industry panels are on my secondary list.

As for fan panels, I didn’t go to many last year, since not many really appealed to me and this year looks even less favorable.  I also see that there is no podcasting panel this year.  That is one I wanted to hit last year, but couldn’t since the light rail stopped running before that panel ended.

As for guest panels, the JAM Project and Kano Sisters panels look interesting at first blush.

And of course, I may not get to all of these because of scheduling conflicts, while I may end up going to some I haven’t listed since they may be the only interesting thing going on at any given time.

5cm Per Second, Innocent Venus get the axe

In more fun for ADV films, they have announced the discontinuation of 4 more titles: 5 Centimeters Per Second, Best Student Council, Innocent Venus, and Robotech.

ADV has not said whether they were also licensed by Sojitz like the 32 other titles that they lost or not, though I wouldn’t be surprised since it would seem to be odd for ADV to license these outside of Sojitz (except for perhaps 5 Centimeters).

This leaves Kurau: Phantom Memory as the only recent ADV release which it hasn’t lost or at least “discontinued” (Kurau was licensed 4 years ago just before it aired).  However, somehow I don’t think that ADV will be able to keep running the business on the back of Kurau.

Anime Expo Round-up

So, who scored big and who lost big (if that’s the best way to put it) at Anime Expo?

Well, it looks like the convention itself scored big once again with 43,000 paid attendees, which is up from 41,500 last year, a 3.6% increase.

Now, here is the licensing round-up from the convention:

ADV Films

While none of this technically took place at Anime Expo, obviously the big loser of the weekend was ADV Films who had Sojitz leaving their agreement with ADV, taking 32 anime licenses with them.  ADV said they had a new partner in Japan and were negotiating to get 23 new licenses, but nothing new was announced at AX.

Bandai Entertainment

Bandai Enterainment announced that they have licensed the Hayate the Combat Butler anime and the Girl Who Leapt Through Time manga.

Bandai also announced the dub cast for Gurren Lagann, as well as announced details regarding their new Honneamise label, which is where most of Bandai Visual’s titles are going.

Dark Horse

Dark Horse announced the license for the Neon Genesis Evangelion: The Shinji Ikari Raising Project manga by Osamu Takahashi.

Digital Manga

Digital Manga picked up more titles than God at AX, including:

  • Utahime – Princess Song by Aki
  • Overclock: Once in a Blue Moon by Riya Hozumi and Ryouko Seki
  • Ghost Hunt Scramble by Ototachibana
  • Tale of a White Night by Tooko Miyagi
  • 1 Sakura Hill by Fujiko Kosumi
  • Lyrical Nanoha StrikerS by Maki Tsuzuki and Kōji Hasegawa
  • RH Plus by Ayako Suwa
  • Time for Magic by Morehe Yoshida
  • Princess Princess+ By Mikiyo Tsuda
  • Happy Boys By Makoto Tateno
  • Wolf God by Ai Tenkawa
  • Otodama By Youka Nitta
  • Crimson Cross By Kyoko Negishi and Sakae Maeda
  • Millennium Prime Minister By Eiki Eiki
  • Hey Class President by Kaori Monchi
  • Dog x Cat by Yoshimi Amasaki
  • Desire-Dangerous Feelings by Shinobu Gotoh
  • Moonlit Promises by Souya Himawari
  • Tricky Prince by Yukari Hashida
  • Double Trouble by Takashi Kanzaki
  • Where has Love Gone? by Ryou Tsunoda
  • Then Comes Love by Riyu Yamakami
  • Pure Heart by Hyouta Fujiyama
  • The Way to Heaven by Yamimaru Enjin
  • Clan of the Nakagamis Volume 2 by Homerun Ken
  • The Object of my Affection by Nanao Okuda
  • Love/Knot by Hiroko Ishimaru
  • The Longest Time by Tohko Tateno
  • Live for Love by Jun Mayama and Itsuki Sato
  • Eat or Be Eaten by Jinko Fuyuno and Yamimaru Enjin
  • The Spiral of Sand by Yuna Aoi
  • Honey/Chocolate by Nanao Okuda
  • Manhatten Love Story by Monoko Tenzen
  • Planet of Earthquake by Miou Takaya
  • Cut by Toko Kawai
  • The Lonely Egoist by Hikaru Masaki and Masara Minase
  • When the Heavens Smile by Aki Senoo
  • Suggestive Eyes by Momoko Tenzen
  • Hey, Sensei by Yaya Sakuragi
  • Love Syndrome by Yura Miyazawa
  • Love Potion by Sakuya Fujii


If ADV was the big loser this weekend, then Funimation was the big winner.  Again, while none of this technically was announced at Anime Expo itself, Funimation both picked up the right to distribute 18 Geneon titles, as well as picking up the rights to the 32 Sojitz titles that used to belong to ADV, giving then the rights to distribute 50 new anime titles, some of which hadn’t been complted or even started yet.

Out of the Sojitz announcement came the news that the OVA Murder Princess has been licensed.

Funimation also announced the dub cast for Ouran High School Host Club.

Go! Comi

Go! Comi licensed:

  • Angel’s Coffin By You Higuri
  • CROWN By You Higuri and Shinji Wada
  • Bound Beauty By Mick Takeuchi


CMX licensed The Name of the Flower by Ken Saito

Kadokawa Pictures USA

Kadokawa announced licenses for:

  • Coo ~ Our Guardian
  • H2O ~Footprints in the Sand~
  • Junjou Romantica
  • My Heartfelt Sympathy, Ninomiya-kun
  • Rental Magica
  • Spice and Wolf

Right Stuf/Nozomi

Right Stuf International announced new licenses for the Gakuen Alice anime series as well as DVD rights 1980 Toward the Terra movie (they had originally released it on VHS and Laserdisc).


TokyoPop announced the following new licenses, among other things:

  • Phantom Dream By Natsuki Takaya
  • Tsubasa: Those with Wings By Natsuki Takaya
  • .hack//G.U. (novel) By Tatsuya Hamasaki
  • Peacemaker Kurogane (formerly released by ADV Manga) By Nanae Chrono
  • Momo Tama By Nanae Chrono
  • Castle of Dreams By Masami Tsuda
  • NG Life by Mizuho Kusanagi
  • This Ugly Yet Beautiful World By Ashita Morimi
  • Maid-sama! by Hiro Fujiwara
  • Demon Sacred by Natsumi Itsuki


Viz announced new licenses for:

  • Honey Hunt by Miki Aihara
  • Gestalt by Yun Kouga
  • Magic Touch by Izumi Tsubaki
  • Otomen by Aya Kanno

A little update on Funimation, Geneon, and ADV

I apologize to gia, but I think it will just be easier to quote from her post:

Fukunaga is now talking about FUNi’s major coup d’etats: the 10+ Geneon titles and the 32 ADV titles (Gen says 34– are there more to hear about? Hm).

Moving into questions…Will you go with box sets for the new titles? Yes if they can, but with Geneon most of the titles are part-in, so they want to start releasing the rest of the series. Also with Geneon, that’s a partnership and Geneon is continuing to dub and will finish all of their shows– it’s their productions still. So no dub changes! With ADV, they’re in talks to have ADV finish up the series, again to avoid dub disruption, but nothing’s set in stone yet.

First thought: The 34 could have been a misspeak, or it could mean they’re also grabbing 2 out of 5 of Best Student Council, Ghost Train, Innocent Venus, Kurau: Phantom Memory, and Synethesia and just haven’t announced it yet (I would have to imagine that ADV would fight to the death to keep 5 Centimeters Per Second).

Second, at least ADV may be able to make a little money to still being in charge of production of the series that were taken from them (Shattered Angels, NHK, Kanon, Tokyo Majin, and possibly Murder Princess, if any dubbing has taken place on it.  I’m not sure what else is still outstanding).  Same thing for Geneon, though Geneon has completed the dubs on a good portion of their shows anyway, so I’m not sure how much there is left to do.

Part of it, of course, could also be due to the fact that I’m sure Funimation may not want to see ADV go away, even though they are competitors.  Right now, Funimation is the undisputed King of anime, but it’s rarely good for an industry to have only one major player in the market (Yeah, I know Bandai Entertainment is still out there, but can anyone argue that they’re as big as Funi is now?).

Funimation takes over anime, aquires THIRTY ADV Titles

I’m guessing this is all part of the fallout between ADV and their licensing partner Sojitz as many of the titles on this list were on the list of suspended shows in February:

  • 009-1
  • Ah! My Goddess: Flights of Fancy
  • Air Gear
  • Air: The Movie
  • Air TV
  • Blade of the Phantom Master
  • Comic Party: Revolution
  • Coyote Ragtime Show
  • Devil May Cry
  • Guyver: The Bioboosted Armor TV
  • Jing, King of Bandits: Seventh Heaven
  • Jinki:Extend
  • Kanon
  • Kyoshiro to Towa no Sora (once titled as Shattered Angels by ADV Films)
  • Le Chevalier D’Eon
  • Magikano
  • Moeyo Ken TV
  • Moonlight Mile
  • Murder Princess
  • Nerima Daikon Brothers
  • Pani Poni Dash!
  • Project Blue Earth SOS
  • Pumpkin Scissors
  • Red Garden
  • Sgt. Keroro 1st & 2nd
  • Tokyo Majin
  • UFO Princess Valkyrie
  • Utawarerumono
  • Venus Versus Virus
  • The Wallflower
  • Welcome to the NHK
  • Xenosaga

All titles were on the list in February except for Shattered Angels, which was licensed after the snafu, Murder Princess, who previously hadn’t had a licensed announced for it, and Sgt. Keroro, possibly because it had no scheduled releases yet.

Shows on the list in February which are not on the list above include 5 Centimeters Per Second, Best Student Council, Ghost Train, Innocent Venus, Kurau: Phantom Memory, and Synethesia, so they are reportedly staying with ADV Films.

The bad thing for ADV in this deal is that it is quite possible that ADV didn’t get a penny from the transfer since the Japanese company they were partnering with held the actual licenses.  This could also be why ADV is in a hurry to license so many new shows, so they have a stream of income to replace these shows, since these constitute the bulk of all the shows that ADV has released over the past couple of years.

ADV Update: It ain't lookin good for Kanon, NHK, et. al.

It’s hard to tell how much trouble ADV is in, but apparently ADV has had a falling out with their licensing parter Sojitz which, from the sound of it, effectively makes the four titles announced yesterday technically unlicensed for the time being.

The fact that the ADV rep at their Sneak Peak panel talked about how he hoped whomever ended up distributing those titles used the same voice cast was especially foreboding, since it seemed clear that the “whomever” may or may not be ADV Films.

They said they were still working on 23 different licenses, so it doesn’t sound like the company is necessarily in as dire straights as some people have feared, but as I said earlier, this definitely can’t help them.

Now for the bad news: ADV releases 'Suspended Indefinitely' …again

I hope this thing doesn’t go on 4 or 5 month cycles or whatever. From Robert’s Anime Corner blog:

I just got the word this morning from ADV that the following new releases have been ‘suspended indefinitely’:

Shattered Angels , Vol #2 DVD
Shattered Angels , Vol #2 DVD w Art Box
Kanon, Vol #6 DVD
Tokyo Majin, Vol #4 DVD
Welcome to NHK, Vol #5, 5th Conspiracy DVD

I did not inquire about releases out past 7/8. This is just a quick post, and I’m currently working to get some clarification on what’s going on.

Oh, damn it to hell that Kanon 6 is on the list. And I would agree with Robert on this point:

The ‘deer in the headlights’ deal we went through back in February isn’t going to cut it this time.

Especially since it appears to be yet another licensing problem. Apparently this only applies to new releases (Robert says they’re still getting shipments of the new box set releases, for example), but that is obviously still not good for ADV.

PiQ Crashes and Burns. Is ADV Next? [Updated x2]

Apparently trying to diversify from NewType USA was a mistake. Unofficial reports say that the current issue of PiQ is it’s last. So will those of us who still have an outstanding subscription get our money back, or are they going to herd us over to yet another publication.

PiQ had hoped to expand NewType’s subscription base by 10 times by diversifying it’s content.

My guess is that people who would by magazines like that had no incentive to buy PiQ over magazines that already existed that covered the same content, while PiQ’s already existing subscribers who were used to NewType ditched the magazine in droves. I had basically already decided to not renew my subscription when it was up myself, though I wasn’t going to go so far as canceling the subscription I already had.

Perhaps the more alarming news is that the person who made this public also notes that “apparently the parent company is going out of business.”

Now, last time I knew, ADV was PiQ’s parent company, unless there is a corporate layer between ADV and PiQ and that extra layer is what is being folded (assuming that part of the report is correct). ADV has been hurting for a while, and I noticed that my copy of Kanon 5 is already on backorder from RightStuf even though it was just released (though Amazon apparently has it in stock).

I really hope this doesn’t mean that ADV is going down as well. If so, that would mean we would effectively have only 3 major anime distributors left: Funimation, Bandai Entertainment, and Viz.


Apparently a PiQ LLC exists, with offices at the same address as and is itself owned by ADV. Whether the reference to “parent company” just meant PiQ LLC or meant to include ADV, I don’t know, and from the sounds of it, the author of the post doesn’t necessarily know for sure either.

Update II:

The PiQ webpage makes it official:

It’s unfortunate that we’ll never get a chance to see how successful PiQ could have been, but a combination of low advertising revenue, poor business management and a lack of proper marketing and promotion all hamstrung the magazine from the start. We, the editorial/creative/production staff, did the best we could to put together a quality publication, but as we’ve discovered, without a good financial backing, it’s all an exercise in futility.

So basically the reasons for this were:

  1. We tried to re-launch a formerly anime and manga based magazine into an already saturated market, and for some reason no one wanted to buy ads in it
  2. We wasted money
  3. We didn’t advertise ourselves, and
  4. ADV screwed us over

As nckl notes in the comments, I’m not sure I would advertise that you basically drove your magazine into the ground via “poor business management” but oh well. Actually, it kind of sounds like some guy who decided to give ADV the middle finger just as he’s walking out the door to me. The “exercise in futility” especially seems to make it read like that. It’s not just a “we’re going bye-bye” announcement, it’s a “we’re going bye-bye, and these are the reasons why we are but didn’t have to if the people above me weren’t morons.”

Look at it: complaining about poor business management and bad financial backing…those would seem to be targeted at either the people put in charge of PiQ LLC or towards ADV itself – especially the part about financial backing.

As for those of us with subscriptions, they say they will have “more details later.” If they’re just going to refund money, I don’t know why they wouldn’t just say so, which means that we’ll probably eventually get our money back in some sort of round-about way.